Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

7/8/10

Bubba Ho-Tep

MPAA rating: R for some violence, uses of the “f” word, and some awkward moments
Canadian rating: 14A
My rating: ****1/2 out of *****
Style: ****
Writing: *****
Awkward parts: ****
Message: *****




JFK and Elvis didn’t die. JFK just went through massive plastic surgeries and is now black and has a brain made of “mostly sand.” Elvis switched places with a guy named Sebastian Haff, one of his impersonators, only to have the real Haff who was then pretending to be Elvis die of drug overdose. Anyway, for some reason JFK and Elvis end up in the same nursing home in the middle of nowhere Mud Creek, Texas. Not only that, but there is a crazy, redneck, cowboy boot wearin’ mummy on the loose. No, this is not one of those movies I would have just picked up on my own; no matter how much you may think me the type.

The story starts with Elvis’ roommate dying and the man’s daughter coming to collect his things. She picks up her father’s Purple Heart and old photos of him coming back from war and is about to throw them away, when Elvis asks if he can have them. She shrugs and hands them over… they mean nothing to her. As she leaves, Elvis asks: why? Why didn’t she take better care of him?

“I didn’t have the money to,” she explains halfheartedly.

“You coulda visited. They don’t charge for that,” Elvis quips.

“Don’t lecture me.”

The whole movie switches between totally nutso craziness and this hard-hitting commentary on how we treat our elders as easily as turn it’s head from left to right. It just… works. It works really well. I felt horrified by the mummy and by our culture’s abuse of the elderly at the same time. I suddenly wanted to go treasure hunting with and/or visit a nursing home.

Another large theme of the film is how Elvis and JFK wish they had been better to their families and been more honorable in their lives. When the mummy shows up, they are given a chance to redeem themselves and take the adventure that they both craved, but never had. This is mostly manifested through Elvis’ long narration speeches about how he wished he had treated his family right.

(SPOILER ALERT)

Finally, the grand finale comes about at the perfect time. JFK has deduced that the nursing home is the perfect place for mummy to haunt, because it needs to eat souls to survive, and “no one would care if a few more elders dropped off.” So Elvis and JFK grab their walker and wheelchair respectively, a big tank of propane, some matches and go off to kick some undead.

The mummy chokes JFK to death, but doesn’t get his soul. Then in an awesome scene, Elvis rams the mummy and blowtorches him to smithereens. But before the end, the mummy deals some serious damage to Elvis, who is left by the creek looking back on all that has happened.

“He didn’t get my soul. I’ve still got my soul. It’s all mine,” Elvis sighs, relived. Finally he looks up at the sky, and for some reason the stars align and spell out the only thing Elvis needs to hear:

“All is well.”

“Thank ya… thank ya very mu…”

All is well; your soul is intact. How often do we need to hear those very words? I know this is a strange film to find the message of “well done, my good and faithful servant.” But that’s what I heard. Those are the words I long to hear when my life is coming to an end and I am looking back on all of my adventures. And I am so glad that some films find them worth saying as well.

1/21/10

I didn't know they made movies like that anymore

This is an overview/review/my comments on the movie Book of Eli.

WARNING! MAJOR PLOT SPOILERS TO FOLLOW!


Envision this conversation:

Upstanding Hollywood Director: "Hey, I've got this great idea for a movie!"
Warner Brothers: "OK, what is it?"
UHD: "Well, the whole movie takes place in post-apocalyptic America. So basically the whole thing looks like the wild west."
WB: "I like it so far."
UHD: "And there's this guy see, and he is traveling west, he's not sure were exactly, carrying the last copy of the Bible on earth with him."
WB: "I love it! How much do you need?"
UHD: "About $80 million. Oh... and can we have Denzel Washington star as the protagonist?"
WB: "Of course!"

Can you picture it? Neither can I. But something to that effect happened. And now the Hughes brothers' film is roaming around theaters worldwide. Last movie they made was called From Hell. It was released 9 years ago and was about Jack the Ripper. What on earth happened between then and now? I have no clue, but whatever it is, I am grateful for it.

The movie starts simple enough. Denzel Washington is walking across the desert in slow motion, exuding pure coolness. He has a shot gun, a pistol, a backpack, an ipod and what we soon learn is a Bible. Soon enough his ipod runs out of juice and he runs out of water. Nothing for it but to enter the nearest town western style. Denzel finds ipod fix it man, Denzel finds pretty girl, Denzel finds trouble, Denzel finds evil Gary Oldman. Oldman wants to recruit Denzel. He has and eye for talent, and Oldman needs a bit more muscle to keep a hold of his town.

Denzel: "No can do."
Oldman: "Well, at least stay the night."

Denzel isn't given an option. In the middle of the night, Oldman, in an attempt to convince Denzel to stay, sends his daughter (Mila Kunis) to show him a... pleasurable evening. Little does he know Denzel is a man of God. Denzel teaches Mila to pray instead. Mila prays in front of Dad. Big no, no. Now Oldman wants the book.

Denzel: "What book?"

Denzel runs off into the desert. Mila goes with. Oldman chases. Denzel and Mila run into cannibals. They turn out to be nice cannibals. Oldman and co. show up and kill cannibals. Lots of shooting. Oldman gets Mila. "GIVE ME THE BOOK OR I'LL SHOOT HER!" Denzel gives him the book, Oldman shoots Denzel.

The end. Nice bleak, pessemistic ending. Religion doesn't solve problems, it causes them. Right?

Wrong.

Mila hijacks bad guys' car. Blows another one up. Runs off back to Denzel's body. Oldman gives up the chase. He has what he wants. Now he can twist Scripture and use it for his own purposes. Mila finds Denzel up and walking, still heading west. He gets in the car and they finally make it to San Fransisco and to Alcatraz, where another group of survivors are holed up.

Oldman makes it back to town, only to discover that the Bible he has is all in Braille. Denzel is blind. The film ends with Denzel, his wounds washed, dressed in white, dictating the Bible to a scribe, dictating the Scriptures that he has spent the past 30 years reading. And Oldman, dying of his wounds, looking at a Bible he can't read, watching his "kingdom" fall apart. Denzel is entering heaven. Oldman is entering hell.

God will preserve His Scripture and His people, no matter the circumstances. No matter the odds. No matter the cost. He will continue His work, and He WILL complete it!

God will...

Amen!

JSTT

8/8/08

The Dark Knight FAQ and Review

Wow, this turned out to be a REALLY long article! Hence, this will be an ALL Batman week! Yeahhhh!!!! So to start with, I wrote up a few frequently asked questions by Christians about Christopher Nolan's new film, "The Dark Knight." Hopefully they will answer a few of the rumors and concerns that have been floating around the webernet recently. After that I'll get on with the review.

Questions Frequently Asked (by Christians) about "The Dark Knight" 

Q1) Should "the Dark Knight" have been rated "R"?
A) No, I don't think so. Personally, I would not recommend the film to anyone under 13....oh, wait... it's already rated PG-13!!!!! In all seriousness, most of the really bad violence isn't even shown on-screen (the infamous scene where the Joker stabs a mans head with a pencil, for example, is so quick and bloodless that you don't even know what happened until several seconds after it's happened.) To be even more blunt, there were giant ants crawling into peoples' mouths and peoples' eyes bursting into flame in "Indiana Jones 4". I didn't hear of anyone complaining about THAT being PG-13!!!

Q2) Does Heath Ledger play a demonic character in the film?
A) Well, um... yeah, he does. The Joker is pretty evil here, but I think that it's called for. We're dealing with a much more realistic Batman now, so you need a more realistic villain. i.e. One that is really, really evil, as the Joker is in all the comics. Seriously, Ledger makes Jack Nicholson look like a big teddy bear in this movie!

Q3) Does Ledger really deserve a posthumous Oscar?
A) I don't know. I think that his performance was exceptional, but I think the postmortem nostalgia still has everyone misty eyed about giving the late Ledger an Oscar.

Q4) Is "the Dark Knight" really the best superhero movie ever?
A) Yes and no. Yes because I think that it was MUCH better than "Spiderman 3" (which was my previous favorite), no because I do not think that it was really a superhero movie (more on that later).

Q5) Is "the Dark Knight" so morally tainted that I should not support the film?
A) Definitely NOT! A lot of Christian nut jobs have been going around saying all kinds of things about this film: how we shouldn't support it because Heath Ledger was a demon and played a homosexual in "Brokeback Mountain," or because Warner Brothers in trying to push the PG-13 rating over the edge, or just because it's a grim movie. There is nothing wrong with being grim! A lot (and I mean A LOT) of the Bible is grim. Does that mean we throw the whole thing out because we don't want to hear bad news? The Narnia books have horrible baddies in them. Do Christian book stores ban THEM? How about the Narnia films or "The Passion of the Christ," they're grim, they have secular actors in them. Christians never got up in arms about THOSE films! So why project on "the Dark Knight"? Because a Christian didn't write the script? 'Cause Focus on the Family isn't promoting it? That's EXACTLY the kind of double standard that makes us so hateful to the world!
Personally, I think that "the Dark Knight" has as much spiritual application, if not more, than does the "Prince Caspian" film.

Q6) Is there a sequel already in the works?
A) NO!!!!! Do NOT believe the rumors that you hear! The Nolan brothers have NOT signed on to do another film... yet. NO, they have NOT cast Johnny Depp as the Riddler! And NO, NO, NO, Angelina Jolie is NOT playing Catwoman! Speculation this soon after the release of the film is just pointless. Let's at least wait until the DVD comes out before we start guessing.

Now, for the review you have been waiting for...

The (K)night is Darkest

 

 

         “The Dark Knight” is not a superhero movie; plan and simple. No, it aspires to be something far greater. Many movie critics have compared it to Martin Scorsese’s “The Departed.” Although I have not seen “The Departed,” I would disagree, because even though I have not seen it, I have read the story and see nothing redeeming about it. Everything about “The Dark Knight” is redeeming.

         Why I say that it is not a superhero flick is simple: It defies the stereotypes. We’ve had plenty of superhero fare this summer. From Iron Man to the Hulk to Hancock, we always seem to get the same thing, lots of cool action, lots of “yuk, yuk” jokes and really campy plotlines. Sometimes campy isn’t all that bad, I mean, every now and then it works. But after a while you just get sick of superhero clichés. I know I do. “The Dark Knight” throws all that out and starts fresh. Much like what the Bourne series did to spy movies such as 007 and Mission Impossible. I don’t know if you noticed, but after “The Bourne Identity,” “M:I:III” and “Casino Royale” came out…. And what did they do? They tried to emulate Bourne’s realistic and gritty style, and for the most part, it works.

         The Nolan brothers have done the same with Batman. No more silly gags to break the tension, no more dumb filler characters and most notably, no assurance at the end telling us that everything will be alright… just more dread for the hero and less respect from the general public. Batman really becomes hated at the end of this film. And, no, don’t even try to compare it to Spiderman, because Parker’s trouble in Spiderman 2 looks like the Sunday funnies when compared to Batman’s trouble.

(WARNING, SPOILERS TO FOLLOW!!!!!)

         Ultimately, “The Dark Knight” is about choices. LOTS of choices! And how those choices affect the people around us and how others can affect the choices we make… if we let them.

         The movie starts with the Joker robbing a bank, and killing all but one of his henchmen along the way... on purpose. Meanwhile, Bruce Wayne (Batman) is dealing with radioactive dollar bills, mob activity and a bunch of goons who think that it’s cool to dress up like him and go around shooting bad guys. Police Chief James Gordon confronts Batman about the Joker, believing that he is a major threat to Gotham. Batman disagrees, believing that the mob still posses more problems for the city.

         Wayne is also having relationship trouble. His girlfriend, Rachel Dawes, is now dating the DA of the city, Harvey Dent. However, after seeing Dent in action, Wayne sees that he could be good for Gotham. Dent is seemingly fearless against the criminals and mob bosses. Ulimately, Wayne believes that he has found someone with a face to take his place, so he can retire the suit. But hey, this IS a Batman movie… how likely is it that something like that would happen? You guessed it, not likely at all.

         So just when things are looking up, the baddies caught, the streets cleaned up, here comes Joker. Suddenly, several higher ups in the police force turn up dead and a Batman pretender winds up hanging from a noose. The city panics as the Joker shows up on the local news telling everyone that he will kill more people if Batman does not reveal his identity.

         With the help of a lot of high-tech gadgets, Wayne figures out through a series of clues that the Jokers next targets are Rachel Dawes, Harvey Dent and the Mayor. Batman and the police rush to put them into protective custody, but when the Mayor is almost killed, Gordon takes the bullet instead. In a long chase scene, the Joker, who is in a semi, attempts to kill Dent, who is in an armored vehicle, with a bazooka. The end result of which is that the Joker is captured and Dent gets away.

         Sadly for Dent and Dawes, the cops who were suppose to protect them are bent, and both of them end up in separate rooms filled with explosives, while the Joker just smiles and taunts his captures from his cell. Once Batman learns of their disappearances, he is enraged and assails the Joker in his cell, while the Joker just laughs manically. Finally, the Joker gives Batman the addresses of the hostages, and Batman goes after Dawes, while Gordon (who we learn faked his death in order to capture the Joker) goes after Dent. Little do they know that the Joker lied (of course.) Hence Batman is able to save Dent, but the sparks of the explosion light Dent, having half his face soaked in gasoline, aflame. Gordon is not able to save Dawes.

         Enraged and in pain, Dent lays in a hospital bed, refusing skin grafts to correct the damage done to his face. Deciding that all he needs is a little “push,” the Joker (who has escaped from prison through rather disgusting means) arrives to encourage him to take his revenge for the death of Rachel Dawes. So off Dent, now Two-Face, goes, after the crooked cops, now Commissioner Gordon and Batman himself, whom Dent believes are all responsible for the death of his girl.

         The Joker, after blowing up the hospital that Dent was in (all the people had been evacuated, thank God), he informs the citizens of Gotham that after tonight, the city will be under his rule. In panic, authorities load two boatloads of people on ferries to escape the city. One is filled with Gotham’s worst convicts; the other with hapless civilians Apparently, the Joker was expecting this. He cuts the power to both boats, and then addresses the passengers through the ships’ intercom. He tells them that he has rigged both ships with bombs, and has placed the trigger for each on the opposite boat. If one boat blows the other, he will let the surviving people live. But if no one has pulled the trigger by midnight, he will blow everyone sky-high.

          Batman rushes to the scene to confront the Joker. He is able to pin the villain to the ground as the clock ticks past midnight. The Joker realizing what time it is, is enraged that the people did not succumb to his evil plot. Resolving to kill them all he attempt to knock Batman off of himself to grab the trigger, but Batman defends himself by knocking the Joker off the building they are in. Refusing to let someone knowingly die, Batman save the Joker with a grappling hook and leaves him for the police, while Batman goes after Two-Face.

         He finds Dent with Commissioner Gordon and his family in the building where Rachel Dawes died. Dent, deciding whom to kill with a coin toss, shoots Batman in the abdomen, and then proceeds to threaten Gordon’s son, but before he can pull the gun, Batman gets up and tackles Dent, sending them both through a hole in to burnt out building. Dent lies motionless, while Batman struggles to get up. Gordon and his son come up to thank Batman, who tells them to inform the public that the murders that Dent committed where Batman’s fault, in order to preserve the people’s belief that Dent stood for something noble till the end. The film ends with Batman riding off into the night on his Batpod while Gordon’s son asks:

         “But he didn’t do anything wrong, dad. Why did he say that?”

         “Because, he’s our dark knight.”

        

         See any spiritual symbolism? I most certainly do. Even if Nolan didn’t intend it, it is clearly there. Batman sacrifices his life, his image and his future for the people of Gotham. Sounds a lot like someone else I know.

         The main theme, as I said above, is choices. And specifically how the Joker tries to form those choices for other people. Specifically the part with the ferries threw me. After my dad and I walked out of the theater, I asked him:

         “So what did Batman prove, when the people didn’t blow up the ferries? That humans are basically good? I mean, as Christians we don’t hold to that, right?”

         My dad gave me a look that said: “Of course we don’t believe that!” Then explained it like this: No, the movie didn’t prove that people are mostly good. It proved instead that the Joker didn’t have as much power over peoples’ decisions as he thought he did. See, through out the film, the Joker’s constant refrain is that he’s not after anything at all, or at least, he isn’t after anything logical. This is then backed up by several other characters… specifically Alfred. And while it is true that the Joker isn’t after money, I believe that he IS after something:

POWER.

By the end of the film Nolan takes that power away from him, and asserts that the choices made by the individuals in the movie were not indeed the Joker’s, they were their own. For example, Dent’s decision to murder the people that had wronged him, that was his own vendetta for vengeance… not the Joker’s.

In the end I think that this film makes a very powerful statement against terrorism. It does not work if we refuse to play the villains game. If we play along and run and hide, we have failed. But we are able, even in the face of evil, to make our own decisions, decisions that may define us for many, many years to come. This same concept applies to sin. We may be tempted, but as Christians, we are given the choice NOT to sin. I pray that we, like the convicts and civilians on the ferry, make the right choice… even if we don’t make it out alive.

 

5 out of 5. Definitely! 


Until next time,

Scott

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God poetry life music randomness Movies stories general foolishness hope list redemption adventure love playlist of the week self correction American culture Christian Video change friends jobs the church Politics Review anger laziness peace perspective rain school summer Batman Bible Bike Choices Comedy Games Praise Worldview back from the dead birthday comics contentment facebook favorite things forgiveness grace grocery stores idols max bemis metaphor pop culture prayer punk rock scott pilgrim sin snow striving stupidity summer camp thanks the apocalypse theology trust truth vikings violence war waves winter words work worship zombies A Band In Hope Alan Moore Anorexia Ben Stiller Book of Eli Bubba Ho-Tep Captain Hammer Cell Phone Christopher Nolan College Denzel Washington Dr. Horrible Evil FAQ Family Flobots Good Goorin bros Harry Potter Heath Ledger Jimmy Jonathan Joss Whedon KJ-52 Lost trust Mobile Movie Critics Muse Nervosa Ninjas PAX217 Penny Peter Hitchens Philistines Raw Rock Rise Against Shawn Harris Showbread Skittles Speed Racer Surviving High School The Dark Knight The Matches The Matrix Tooth and Nail Tragedy Tropic Thunder Vietnam Wachowiski Brothers active airports albums alcohol alcohol beverage control ambiguity apology art bands beauty best buy best of blasphemy buckets burgers car trips career claddaugh rings clarification creation danger defibrillators definitions destination doom dragons drums edger allen poe emotions entertainment epic evolution fad fame fate feelings fight flags general advice glamour glory hallelujah hats heart heaven hell hip/hop home humility ideals internet interruptions introspection joy jury duty justice laundry letter letting go life lessons mariachi men michael buble mom monies mummies mystery naps nerdiness new things nursing homes obama ocean old testament pain paradox passive planes postmodernism puppies ramona flowers relationships religion revisions right place right time righteousness road robert rodriguez salvation sarcasm say anything scary sci-fi sea searching seasons smack soapbox song soundtrack spanish standards stars string sun tale taxes the Joker the Kingdom of God the apostle Paul the bronx time toy story treasure trinity underdogs unsung heroes update valentines day vampire weekend vulgarity waiting warped tour water withdrawl worry

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Va Beach, VA, United States
Husband, son, brother, friend, box-kicker, Christian and writer of profound non-sequiturs.

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